| Título : | Sculpture: from Antiquity to the Present Day | | Tipo de documento: | texto impreso | | Autores: | Georges Duby, Editor científico ; Jean-Luc Daval, Editor científico ; Philippe Bruneau, Autor ; Milton Torrelli, Autor ; Xavier Barral i Altet, Autor ; Bernard Ceysson, Autor ; Genevieve Bresc-Bautier, Autor ; Maurizio Fagiolo dell Árco, Autor ; Francois Souchal, Autor ; Sophie Guillot du Suduiraut, Autor ; Anne Pingeot, Autor ; Barbara Rose, Autor ; Friedrick Meschede, Autor | | Editorial: | China : Taschen | | Fecha de publicación: | 2006 | | Número de páginas: | 1147 p | | ISBN/ISSN/DL: | 978-3-8228-5080-0 | | Idioma : | Inglés (eng) | | Etiquetas: | BELLAS ARTES ESCULTURA, ANTIGÜEDAD EDAD MEDIA RENACIMIENTO CONTEMPORÁNEO HISTORIA DEL ARTE | | Clasificación: | 730 ARTES PLÁSTICAS - ESCULTURA | | Nota de contenido: | Table of contents.
Volume 1. Part I
Greek Art. Archaic period. Classical Period. Hellenistic and Imperial Periods.
The Art of the Etruscans.
The Roman World. The New Function of Sculpture. Roman Realism. Working with the Raw Materials. The Development of Roman Sculpture. Originality in the Provinces. The Decline of Empire.
Volume 1. Part II
From Late Antiquity to the Middle Ages.
Romanesque Art (1000 to 1200). Formation of the Style. The Meaning of the Imagery. The Varietes of Creation. The Wealth of Techniques.
The Expansion of Gothic (1150-1280). Sculpture and Architecture. English Gothic. Difussion of Gothic in the Empire. The priginality of Southern Gothic.
Court Art (1280-1400). Sculpture and the Courtly Spirit. Sculpture and New Devotions. Paris and New Northern Modernity. The Southern Crossroads. The Quickening of Italian Art. Towards International Gothic.
Glow and Afterglow of Gothic. (1400-1530) International Gothic Style. The Conditions of Creation. Late Gothic.
Volume 2. Part I.
Renaissance. Florence and the Great Projects. Donatello. Masters of Problems, The Triumph of Michelangelo.
Mannerism. Evolution and Internationalization. Centres and Masters.
Baroque. Sculpture. The Centres of Baroque Art. Images and Formns of Baroque. Methods and Structures of Baroque Sculpture.
Rococo. The Taste of Theatrical. The Spectacle of Faith. The Pleasures of Collecting. Last Commision of the Ancient Regimen.
Part II. The Adventure of Modern Sculpture. In the Nineteenth and Twentieth Centuries.
Nineteenth Century. Tradition and Rupture.
Neoclassicism. Sculpture under Louis Philippe. The Second Empire. Affirmation of the Republican Idea.
Twentieth Century. The Adventure of Modern Sculpture.
Permanence and Avant-Garde. A New Technique: The Assemblagge. Sculpture Conquers Space. Realism and Surrealism. Abstraction and Figuration. Monumentaly and New Techniques. The Space of Representation. The Redefinition of American Sculpture: from Minimalism to Earthworks. The Affirmation of Sculpture. Sculpture in Dialogue with the City. |
Sculpture: from Antiquity to the Present Day [texto impreso] / Georges Duby, Editor científico ; Jean-Luc Daval, Editor científico ; Philippe Bruneau, Autor ; Milton Torrelli, Autor ; Xavier Barral i Altet, Autor ; Bernard Ceysson, Autor ; Genevieve Bresc-Bautier, Autor ; Maurizio Fagiolo dell Árco, Autor ; Francois Souchal, Autor ; Sophie Guillot du Suduiraut, Autor ; Anne Pingeot, Autor ; Barbara Rose, Autor ; Friedrick Meschede, Autor . - China : Taschen, 2006 . - 1147 p. ISBN : 978-3-8228-5080-0 Idioma : Inglés ( eng) | Etiquetas: | BELLAS ARTES ESCULTURA, ANTIGÜEDAD EDAD MEDIA RENACIMIENTO CONTEMPORÁNEO HISTORIA DEL ARTE | | Clasificación: | 730 ARTES PLÁSTICAS - ESCULTURA | | Nota de contenido: | Table of contents.
Volume 1. Part I
Greek Art. Archaic period. Classical Period. Hellenistic and Imperial Periods.
The Art of the Etruscans.
The Roman World. The New Function of Sculpture. Roman Realism. Working with the Raw Materials. The Development of Roman Sculpture. Originality in the Provinces. The Decline of Empire.
Volume 1. Part II
From Late Antiquity to the Middle Ages.
Romanesque Art (1000 to 1200). Formation of the Style. The Meaning of the Imagery. The Varietes of Creation. The Wealth of Techniques.
The Expansion of Gothic (1150-1280). Sculpture and Architecture. English Gothic. Difussion of Gothic in the Empire. The priginality of Southern Gothic.
Court Art (1280-1400). Sculpture and the Courtly Spirit. Sculpture and New Devotions. Paris and New Northern Modernity. The Southern Crossroads. The Quickening of Italian Art. Towards International Gothic.
Glow and Afterglow of Gothic. (1400-1530) International Gothic Style. The Conditions of Creation. Late Gothic.
Volume 2. Part I.
Renaissance. Florence and the Great Projects. Donatello. Masters of Problems, The Triumph of Michelangelo.
Mannerism. Evolution and Internationalization. Centres and Masters.
Baroque. Sculpture. The Centres of Baroque Art. Images and Formns of Baroque. Methods and Structures of Baroque Sculpture.
Rococo. The Taste of Theatrical. The Spectacle of Faith. The Pleasures of Collecting. Last Commision of the Ancient Regimen.
Part II. The Adventure of Modern Sculpture. In the Nineteenth and Twentieth Centuries.
Nineteenth Century. Tradition and Rupture.
Neoclassicism. Sculpture under Louis Philippe. The Second Empire. Affirmation of the Republican Idea.
Twentieth Century. The Adventure of Modern Sculpture.
Permanence and Avant-Garde. A New Technique: The Assemblagge. Sculpture Conquers Space. Realism and Surrealism. Abstraction and Figuration. Monumentaly and New Techniques. The Space of Representation. The Redefinition of American Sculpture: from Minimalism to Earthworks. The Affirmation of Sculpture. Sculpture in Dialogue with the City. |
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